5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

Released Sunday, 31st January 2021
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5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

5.2 - Pueblo, CO History: the most ethnically diverse population in the Intermountain West

Sunday, 31st January 2021
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PUEBLO, CO: THE GREAT AMERICA OF 1915-1942The era between 1915 and 1942 were boom years for Pueblo, Colorado, a time when the Colorado Fuel and Iron Company (CF&I), which at one point employed twenty thousand people, made the city the industrial center of the Rockies. The steel mills not only provided economic security, but attracted the most ethnically diverse population in the Intermountain West, and Pueblo in many ways seemed to have much in common with cities in the East.

The diversity that made Pueblo special was driven by the potential of employment at the CF&I steelworks, which attracted a substantial population of African-Americans and immigrants from places like Germany, Greece, Ireland, Italy, Japan, Mexico, Russia and Eastern Europe. By one estimate, forty languages were spoken in the city and over two dozen foreign language newspapers were in circulation. Ethnic communities coalesced in enclaves that were comparable the neighborhoods of Chicago or Manhattan and organized festivals, cultural organizations and mutual-aid societies like the Order of Sons of Italy and the American Slovenian Catholic Union.

Situated on the Arkansas River where the Great Plains rise into the Front Range of the Colorado Rockies, Pueblo had a history as a trading post and an agricultural center until the 1880s, when entrepreneurs, taking advantage of access to iron, coal, limestone, water and the railroad, founded what would become the CF&I steelworks, which eventually attracted investment from John D. Rockefeller. Following years of labor unrest and violence associated with CF&I’s operations (though largely not in Pueblo itself), public outrage and the company’s need to restore peace forced a series of reforms known as the Colorado Industrial Plan in 1915. The era that followed was one of relative stability. Though not without labor unrest, the outright warfare of the past was largely over.

Pueblo was a company town. CF&I took measures against liquor and prostitution and invested in health care, housing and schools. These efforts at social uplift were not motivated by altruism, but aimed at asserting the company’s control of the town and stifling potential union organizing. CF&I dominated the community and even the daily lives of its people. All the men in town either worked for the company or one of its contractors and, and most local families lived in company housing, shopped in company stores, and were cared for in the company hospital.

The steel industry would leave a persistent and troubling legacy for Pueblo. The city acquired the derisive nickname of “Pee-yew-blow” for the sometimes foul smell of CF&I’s operations. At the height of production, families some neighborhoods could not hang laundry outside lest it be stained red by metallic dust from the mills. Decades later, officials are still dealing with lead and asbestos left behind by the steelworks.

The steel industry collapsed nationwide in 1982. What followed in Pueblo was an economic crash and years of labor strife, a situation similar to what was faced in the so-called “Rust Belt” cities of the industrial East and Midwest. CF&I went bankrupt in 1990 and was sold to foreign investors who cut the workforce and pared down operations. In contrast to Pueblo’s “Steel City” heyday, the mills now employ less than a thousand people.

Local leadership has focused in recent years on diversifying the economy, with mixed results including some notable successes in alternative energy, tourism and tech, however Pueblo is not the economic powerhouse that it once was. Though the city still celebrates its ethnic diversity, its status as “Melting Pot of the West” is largely a legacy of bygone days. Without the industry that once drew immigrants from all over the world, the cultural dynamism of the mid-twentieth century has been lost.

-Tom Prezelski, Resident Historian

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From The Podcast

In Search of the Great America

Hello! I am your host, Laura Milkins.In Search of the Great America is a public history podcast project. Asking people to define their great America: past, present and future. The mission is simple, to ask people to define their Great America (past, present and future) and to uncover the diversity, complexity, and community connections that already make us great. To find out what people really want for America, outside of the framework of politics and the media. With this project, I offer a non-judgmental space for people to share what they wish for themselves, their family and their community.Each interview is only 15 minutes long. The guest will answer the following questions:-Where did you grow up and what was it like?-Was there a time in history that you thought America was great and why?-What is great about America now for you?-What does your great America look like in the future?-Who are we when we are our best?So… What’s your Great America?ARTIST BIOI am an interdisciplinary artist living in Tucson, AZ. My work explores vulnerability, intimacy, and cultural norms, using variety of media: online-interactive performance, video, drawing, painting, and live radio/podcasting. Since 2012, I have taught Art and Visual Culture at Pima Community College. I received an MFA in painting from University of Arizona in 2008. In 2009, I was a Fulbright Scholar in Mexico City.My recent work includes The Depression Session, a website dedicated to de-stigmatizing depression, and to help listeners feel less alone in their struggles with depression. The Depression Session project was a way for me to relate to others, to understand my own depression, but more importantly, to give back in providing a source for others to find connections and resources.Past work includes Of Birds and Men, 27 portraits of men in power accused by women of sexual harassment and abuse, facing a bird with the same letter as their name. Zero Packaging Project, a year without packaging; and Walking Home: stories from the desert to the Great Lakes, in which I walked 2,007 miles from Arizona to Michigan wearing a live webcam; Walking Stories: Mexico, I walked across Mexico City in the company of strangers, posting the stories they shared each night on a BLOG.My work has been exhibited across the U.S., Mexico, and in France. I have received grants, awards, and international recognition for my work, including a Fulbright award to travel and work in Mexico City and a Tanne Foundation Award.

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