1.2 - Phoenix, AZ History: the American suburban dream

1.2 - Phoenix, AZ History: the American suburban dream

Released Sunday, 31st January 2021
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1.2 - Phoenix, AZ History: the American suburban dream

1.2 - Phoenix, AZ History: the American suburban dream

1.2 - Phoenix, AZ History: the American suburban dream

1.2 - Phoenix, AZ History: the American suburban dream

Sunday, 31st January 2021
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PHOENIX, AZ: THE GREAT AMERICA OF 1950-1980Phoenix boomed in the decades after World War II, an era of seemingly endless prosperity when local boosters would say that opportunity was available for anyone who wanted to work for it. The city’s population grew tenfold between 1950 and 1980, newcomers drawn by the promise of an expanding economy and of a cheap and easy lifestyle in contrast with the drudgery of older eastern cities. A business elite known as the “Phoenix Forty” and a political machine smoothly ran local affairs. Companies like Dial and Motorola had their headquarters there. It looked like the growth would never stop.

Because the city’s growth happened entirely in the era of the automobile, accommodating cars was a priority in city planning. Phoenix became a paragon of the new urban landscape associated so closely with what became known as the Sun Belt: neat subdivisions of wide streets, single-family homes and shopping malls. The “American Dream” of a ranch-style house and a lawn seemed more available in Phoenix than it was in other places.

This sort of development required a lot more land than what had been the traditional cityscape, the result being that the city grew from about seventeen square miles at the end of the war to nearly five hundred square miles by 1980. While there were concerns about the potential for natural resources, particularly water, to be overtaxed, there were few voices who challenged the wisdom of unbridled growth. Instead, leaders lobbied for the massive Central Arizona Project, a four billion dollar canal that took water from the Colorado River over three hundred miles uphill to Phoenix and Tucson.

The narrative of boundless opportunity came short in other ways as well. While times were good for the business elite and for the largely Anglo and Midwestern newcomers coming in pursuit of the suburban dream of ranch-style houses and picket fences, there were those who were left out. The city’s significant and well-established Asian-American, African-American and Mexican-American communities remained shunted from the rest of Phoenix by both legal and de-facto segregation. Some of these neighborhoods, particularly on the southern edge of the city, were little better than shantytowns, with unpaved streets and inadequate water and sewer infrastructure.

As much as the city fathers tried to keep the focus on Phoenix’s prosperity, these communities would not let themselves be ignored. A renegade Franciscan priest named Emmett McLaughlin used his position to call attention to those that were left behind by the city’s progress. Meanwhile, the communities themselves pursued a sort of self-sufficiency, with their own businesses, newspapers and social-support systems. In the 1960s and 1970s, the Civil Rights movement nationwide and the Farmworker movement in the west led by Cesar Chavez, an Arizona native, had an impact in Phoenix and led to the development of a new political leadership class. People like Cloves Campbell, Alfredo Gutierrez and William Ong were elected to office. While this did not bring immediate change, it set the foundation for a more representative future.

It seems inevitable that this era of unprecedented growth would have to come to an end. By the late 1980s, Phoenix was almost completely encircled by the rapidly developing surrounding suburbs, some of which did not yet exist when the boom started. Once supreme, Phoenix would now have to compete for amenities, resources and political power with dozens of other communities. Unable to rely on unfettered growth to assure future prosperity, leadership looked inward, setting new priorities for the city. Though Phoenix remains vibrant and prosperous, it is a very different city than it was in the boom years.

- Tom Prezelski our Resident Historian

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From The Podcast

In Search of the Great America

Hello! I am your host, Laura Milkins.In Search of the Great America is a public history podcast project. Asking people to define their great America: past, present and future. The mission is simple, to ask people to define their Great America (past, present and future) and to uncover the diversity, complexity, and community connections that already make us great. To find out what people really want for America, outside of the framework of politics and the media. With this project, I offer a non-judgmental space for people to share what they wish for themselves, their family and their community.Each interview is only 15 minutes long. The guest will answer the following questions:-Where did you grow up and what was it like?-Was there a time in history that you thought America was great and why?-What is great about America now for you?-What does your great America look like in the future?-Who are we when we are our best?So… What’s your Great America?ARTIST BIOI am an interdisciplinary artist living in Tucson, AZ. My work explores vulnerability, intimacy, and cultural norms, using variety of media: online-interactive performance, video, drawing, painting, and live radio/podcasting. Since 2012, I have taught Art and Visual Culture at Pima Community College. I received an MFA in painting from University of Arizona in 2008. In 2009, I was a Fulbright Scholar in Mexico City.My recent work includes The Depression Session, a website dedicated to de-stigmatizing depression, and to help listeners feel less alone in their struggles with depression. The Depression Session project was a way for me to relate to others, to understand my own depression, but more importantly, to give back in providing a source for others to find connections and resources.Past work includes Of Birds and Men, 27 portraits of men in power accused by women of sexual harassment and abuse, facing a bird with the same letter as their name. Zero Packaging Project, a year without packaging; and Walking Home: stories from the desert to the Great Lakes, in which I walked 2,007 miles from Arizona to Michigan wearing a live webcam; Walking Stories: Mexico, I walked across Mexico City in the company of strangers, posting the stories they shared each night on a BLOG.My work has been exhibited across the U.S., Mexico, and in France. I have received grants, awards, and international recognition for my work, including a Fulbright award to travel and work in Mexico City and a Tanne Foundation Award.

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