ArtsEquator Podcast
ArtsEquator Podcast
Episodes
Episodes of ArtsEquator Podcast
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Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss Wild Rice’s bold adaptation of Tartuffe: The Imposter by Molière in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Matthew Lyon, Nabilah Said and
Classic play The Glass Menagerie by Tennessee Williams gets the Pangdemonium treatment. Critics Matthew Lyon, Nabilah Said and Naeem Kapadia discuss more in the latest ArtsEquator Theatre Podcast. In this latest ArtsEquator Theatre Podcast, Ma
“You walk into a black room. Right in the middle of that room, a laptop gleams dimly. A voice beseeches you to explore further.” What is WINDOW? WINDOW by ATTEMPTS Or try clicking ANOTHER WINDOW WhatsApp Video 2022-03-03 at 5.44.45 PM Tags: a
Adib Kosnan chats with arts practitioners Corrie Tan, Elizabeth Chan and Chong Gua Khee, who are members of CITRUS practices. The group is interested in cultivating better practices around care and intimacy in artmaking in Singapore, and are de
ArtsEquator’s theatre podcast is back in 2022, with critics Lee Shu Yu, Matthew Lyon and Naeem Kapadia in a post-show conversation about three productions at M1 Singapore Fringe Festival 2022: The Essential Playlist by The Second Breakfast Comp
Listen as speakers Ke Weiliang, Lee Shu Yu, Matt Lyon, Nabilah Said and Naeem Kapadia share their thoughts about Singapore theatre in 2021, including observations and shows they found memorable. Mentioned in this episode: ArtsWok, Brown Voices,
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage. Stream Podcast 99: ArtsEquator · Podcast 99: T
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Love & Information by Young & Wild, which is the youth arm of Singapore theatre company Wild Rice. Stream Podcast 98: ArtsEquator · Podcast
In the second of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with horror writer Wayne Rée about his love of gore and slasher fiction, the supernatural in Southeast Asia, and his opinions on Nickelback. Wayne is
In the first of a two-part episode on the Singapore Writers Festival 2021, Nabilah Said chats with author Grace Chia about her book The Arches of Gerrard Street, and her thoughts on writing crime while exploring themes surrounding the experienc
In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss Three Sisters by Nine Years Theatre and _T0701_ by Zeugma, which were both part of SIFA 2021. Stream Podcast 95: ArtsEquator · Podcast 95:
In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Girls & Boys by Pangdemonium, which ran from 25 Feb to 14 Mar 2021. Stream Podcast 93: ArtsEquator · Podcast 92: Girls & Boys by Pangdemoniu
In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss The Singapore Trilogy by The Second Breakfast Company, which ran from March 11 to March 21 2021. Stream Podcast 94: ArtsEquator · Podcast 93
Critics Alice Saville (UK), Amitha Amranand (TH), Matthew Lyon (SG) and Taisuke Shimanuki (JP) discuss OIWA: The Ghost of Yotsuya by The Finger Players, presented at Singapore International Festival of the Arts (SIFA). The performance took plac
Nabilah Said and Wennie Yang speak to Chung Shefong, Janet Pillai and Anmol Vellani the three curators who led the Curated Conference programme as part of Meeting Point 2021. The Curated Conferences comprised of three groups of participants fro
Singapore critics Clarissa Oon, Lee Shu Yu, Nabilah Said and Naeem Kapadia discuss The Year of No Return by The Necessary Stage, presented at Singapore International Festival of the Arts (SIFA). The performance took place from 21-22 May 2021 at
Critics Corrie Tan (SG), Elisabeth Vincentelli (US), Jose Solís (US) and Sharaad Kuttan (MY) chat about Three Sisters by Singapore’s Nine Years Theatre and SITI Company from New York, presented at Singapore International Festival of the Arts (S
Critics Ben Valentine (US), Kathy Rowland (SG), Michael HB Raditya (ID), Sharmilla Ganesan (MY) chat about The Journey by UK-based illusionist and mentalist, Scott Silven. The performance took place from 18-30 May 2021 as part of the Singapore
Earlier this year Producers SG launched the Producers SG Directory, an online directory of independent producers and arts managers working in Singapore and around Southeast Asia, which it hopes can become a starting point for future collaborati
After a short hiatus, the ArtsEquator theatre podcast is back. In the latest episode, Kathy Rowland, Matthew Lyon and Naeem Kapadia discuss three productions at the 2021 M1 Singapore Fringe Festival – a line could be crossed and you would slowl
In our end-of-year roundup, Nabilah Said, Naeem Kapadia and Matt Lyon take stock of the year in Singapore theatre, alongside guests Lee Shu Yu from Centre 42 and Max Yam from Arts Republic. This podcast is published as part of Year In Review, a
ArtsEquator speaks to Lyn Lee, Nirmala Seshadri and Soultari Amin Farid about Nanyin, Kavadi Attam and Dikir Barat and the study and practice of traditional arts in Singapore. This is a follow-up on ArtsEquator’s series of animated videos “10 T
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Waiting For The Host by Pangdemonium. The play is written by Marc Palmieri and directed by Tracie Pang. Waiting For The Host ran from 15 Oct to 1 Nov on SISTIC Live. Stream Podcast 83: ArtsE
Nabilah Said, Matthew Lyon and Naeem Kapadia discuss Who’s There by The Transit Ensemble (Singapore/Malaysia/US); and Two Songs and a Story by Checkpoint Theatre. Who’s There ran from 4 – 8 August on Zoom as part of Ice Factory 2020 by New Ohio
In this month’s theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss two plays from the Festival of Women: N.O.W. 2020: King, written and performed by Jo Tan and directed by Jasmine Ng; and The Book of Mothers, written by Elean
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